brushes

Process of swatching

For each ink I do following tests:

  • Swatch on Rhodia Dot Pad 80g/m2
  • Swatch on Clairefontaine Mix Media 250g/m2
  • Entry in MD Paper Journal A5 Grid Block notebook with Bene Gesserit “Litany Against Fear” from Diune by Frank Herbert
  • Stamp with shima bird (by Beverly)
  • Short entry in Tomoe River 52g/m2
  • Entry in my pen register (Semicolon notebook)
  • Small one-liner in the pen register notebook
  • 1cm2 square on Rhodia 80g/m2, that I have glued in my first pen register
  • and finally I write my morining page

On this page I digitalize first four.

As fountain pen inks behave differently depending on density and paper (and a moon phase :)), I tried to show them via different ways and nib kinds.

For each “big” swatch I use:

  • brush – to paint some part of the paper, trying to get various amount of ink in different places
  • glass pen – I use basic Koh-I-Noor one
  • dip pens with Zebra G, Nikko G and 2mm redis nibs
  • and actual pen that I use for that ink (or Iro-utsushi M dip pen when swatching small samples)

On Rhodia it looks like following:

Sample swatch with description what is made with which tool

And on Clariefontaine:

Sample swatch with description what is made with which tool

“Title” image of ink is cut out of the Rhodia swatch:

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